Ganeshism 3 is a celebration of Lord Ganesh in art, through an exhibition of paintings at the Barefoot Gallery. It is the third show of its kind since 2008 by Sri Lankan artist Mahen Chanmugam.
Mahen has been painting for over thirty-five years and has devoted the last eighteen years to portraying Lord Ganesh. The paintings in this year’s show are part of a collection that attempts to present, not only the symbolism and iconography surrounding Lord Ganesh, but also the artists view of the powerful energies that Lord Ganesh represents, in the world around us, and within ourselves.
For Mahen Chanmugam painting Lord Ganesh, the deity with the elephant head, is a personal journey that was inspired by his spiritual connection to Lord Ganesh. In 1994, while working and living in Singapore, Mahen began a study of the iconography and symbolism of Lord Ganesh. He started exploring the classic forms, postures and the iconographic principles of perfect poise within the 32 forms Lord Ganesh appears in and translated these into contemporary representations.
The intensity of the search for new content in classic form has added an intellectual ambivalence to his work. Whereas the image topic is constant, the paintings now capture a range of emotions and themes. Today his art looks at Lord Ganesh’s iconography as a philosophical template that symbolizes liberation from ego, acceptance and the laws of cause and effect. Paintings like the Thousand Petaled Lotus of Light and Lord Ganesh with a Flute visualize the deity as a force that enables consciousness to evolve from its lowest to its highest. Deep, mesmerizing eyes gently look down from many of his paintings, reflecting his inspiration of love and awe from a single form that is so eloquently described in Progress of the soul by John Donne: Nature’s great masterpiece, the elephant, the only harmless great thing, the giant of the beasts.
Mahen has worked with all types of media, having mastered, then abandoned, oil painting and airbrush illustration for the transluscent brilliance of acrylic. He now works on materials as varied as canvas, wood, glass and mirror and sometimes, even on rice bags and other industrial packing material. He has had five solo exhibitions in Singapore and Sri Lanka and he paints and lives with his wife, two children and cats in his home studio, amongst the water monitors and bats in Nawala.
Ganeshism 3 will open at the Barefoot Gallery on the 29th of November and will run until the 16th of December.