How much do we really know about the food we buy
at our Supermarkets and serve to our families?
In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation’s food industry, exposing the highly mechanized underbelly that has been hidden from the American consumer with the consent of our government’s regulatory agencies, USDA and FDA. Our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won’t go bad, but we also have new strains of E. coli the harmful bacteria that causes illness for an estimated 73,000 Americans annually. We are riddled with widespread obesity, particularly among children, and an epidemic level of diabetes among adults.
Featuring interviews with such experts as Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore’s Dilemma, In Defense of Food: An Eater’s Manifesto) along with forward thinking social entrepreneurs like Stonyfield’s Gary Hirshberg and Polyface Farms’ Joel Salatin, Food, Inc. reveals surprising and often shocking truths about what we eat, how it’s produced, who we have become as a nation and where we are going from here.
SCREENING ON TUESDAY, 23 FEB. @ 7:30 PM.
This is my second exhibition at the Barefoot Gallery titled ‘Watercolour Nudes.’
My inspiration was based on drawings and paintings of the human form by some of the great masters: Leonardo De Vinci, Michelangelo and Lucian Freud. These artists have always fascinated me.
Whilst studying for my diploma of fine art and life drawing at Chelsea School of Art, London, my experience was that the human form is very complex to draw.
One of my tutors expressed to the class¬-
“If one can perfect to draw the human form, one can draw anything in the world.”
This statement still holds true to me and I’m still learning!
My simple collection of ‘Watercolour Nudes,” is a graphical representation and is not intended to be absolutely accurate- it’s a notion- in motion. The motion comes from the fluidity of watercolour, so to speak.
Watercolour medium is a learning process and a challenge to master, it is not forgiving like oils. One can manipulate watercolour paint to a degree but the trick is knowing when to stop before it’s overworked. I have discarded many paintings in the process because of this.
‘One has to just let the watercolour paint do the magic’ said the late 18th Century watercolorist J.M.W Turner. Turner’s work exhibited at the Tate Modern in London shows such depth and emotion and, as far as I am concerned, is a must see for any aspiring artist.
Like a great piece of music, it is not necessarily the note one plays but the space between that enables the listener to uplift their spirits. This, in my view, applies to watercolour painting – it is in the discipline of what you leave out, that makes a good composition.
The original sketches of these paintings are based on some of my past life drawings executed in charcoal and photographs.
I hope to convey and capture the essence of the moment for you to enjoy, as much as I have in painting them.